By Jimmie von Tungeln
If the old
woman hadn’t come on after the stripper, things might have started a little
smoother. After all, who would want to follow a tall, dark Eurasian woman who
took off nearly everything she had on in front of a thousand horny service men?
And I do mean all she had on, except for a tiny strip of gauze—Tony Grant would
claim the next day, “I swear I could see that bitch’s nipples from where I was
sitting”—across her bosom and a triangular patch covering her “Forbidden Garden.”
The USO waltzed out some weird acts back in those days, some deliberately
designed, it seemed, to drive men crazy. The generals allowed it and then wondered
why men were so hard to control out in the jungle.
Anyway, the
stripper was through and she wasn’t coming back out. It would have been dangerous,
too much heat and too much beer. This was an enlisted men’s club in the I-Corp
and not a gentleman’s joint in Manhattan .
The next act better damn sure be a good one though. Feelings were running high.
A half-decent rock and roll band would have been nice, anyone who could do a
passable version of the Vietnam Vets’ National Anthem—“We’ve Got To Get Out of This Place.”
But no. Out
walks this tiny woman of indeterminate age, at least fifty, in a long sequined
black dress that fell from her tiny shoulders almost to the floor. Her hair was
clipped short and showed some signs of gray. Cheap-looking ear rings hung
nearly to her shoulders. Her makeup looked as if it had been applied by a
first-week beauty school student. Christ almighty!
Tiny and aged as she was, though,
she had spunk. She walked up to the mike like she was at Carnegie Hall and
waited for her piano player to get seated. The place was quiet for a moment, from
sheer disbelief I suspect.
Then the
rumbling started and you could here someone yelling for the stripper to come
back out. I heard a grunt scream, “Get that old bag out of here.”
The shouts
of disapproval were so loud that only those in the first couple of rows could
hear her when she said, “I know I can’t compete with that last act. I only know
a few old songs, some Irish and some not. Maybe you’ll enjoy one or two of
them.”
With that,
the piano hit a strong, commanding chord, and from that frail tiny body soared
a sound so linear and pure that one could imagine it piercing the back wall of the
club and flying straight into the jungle and beyond.”
“Over in Killarney
Many years ago,
My Mother sang a song to me
In tones so sweet and low.”
Many years ago,
My Mother sang a song to me
In tones so sweet and low.”
The sounds emerging from that ancient (to us at least, young
fools that we were) face were so strange and haunting that those nearest the
stage hushed immediately and this allowed the full force of her voice to carry
further.
“Just
a simple little ditty,
In her good old Irish way,
And l'd give the world if she could sing
That song to me this day.”
In her good old Irish way,
And l'd give the world if she could sing
That song to me this day.”
A wave of silence undulated across the room as the voice
filled it with an assurance formed, no doubt, by many years of knocking about
places with forgettable names and long-forgotten faces.
One never knows what to expect, does one? -C.W. |
"Too-ra-loo-ra-loo-ral, Too-ra-loo-ra-li,
Too-ra-loo-ra-loo-ral, hush now, don't you cry!
Too-ra-loo-ra-loo-ral, Too-ra-loo-ra-li,
Too-ra-loo-ra-loo-ral, that's an Irish lullaby."
Too-ra-loo-ra-loo-ral, hush now, don't you cry!
Too-ra-loo-ra-loo-ral, Too-ra-loo-ra-li,
Too-ra-loo-ra-loo-ral, that's an Irish lullaby."
By this
time her voice was challenged only by the soft movement of hands moving cans of
beer and heads turning to watch. She finished the song and, in perfect timing,
the piano player led her into “My Wild
Irish Rose.” A few in the crowd began to move with the music. Some even
hummed along with the song. She finished
it and looked at the crowd and smiled. It was sort of an impish smile if you can
imagine. Then she dropped a shoulder, thrust a bony hip toward us and pointed a
blue-veined foot directly at those in the front row.
“I
hate to see, that evening sun go down.”
The piano
player supported her with a sweeping blues chord and she was off. Somehow she
didn’t seem as old as she had when she started. The crowd just watched in
disbelieving approval. She finished this number and than stopped and looked us
over as if to say, “What do you think now, boys?”
Now these weren’t college boys or
Irish rovers. Twenty-four hours earlier some of them had been killing Viet
Cong, unsuspecting villagers, or water buffaloes—anything that got in their
way. But their minds sure weren’t on killing now. The applause started in the front
and moved over us like a rolling artillery barrage. The building shook like it
might fall at any moment. She just kept singing.
Who can
remember what all she performed that night? It seemed over before it started.
Each time she finished a song, the room erupted and hundreds of beer cans
pounded on tables. As she came out for her third encore, she thanked us and we
knew we would never hear her sing again. Those USO shows moved around quickly
and we were only there for “365 and a wake-up.”
“I’ll leave
you with this, for that special one back home,” she said and looked at the
floor as if it had some secret message written on it. Raising her head, she
looked at each one of us and smiled.
“I’ll be seeing you,” she sang.
“In all those old familiar places.”
You didn’t
dare look around at a goddam soul for you knew you were about to start bawling
and then they would too. We couldn’t cry, though. Hell, we were supposed to be
killers. And tomorrow we might be. Not tonight, though. Tonight we were just a
bunch of homesick boys enjoying a moment of peace in a world that seemed to have
forgotten about us.
In
that small cafe …that park across the way…
Life does have its moments, and I’ve
never forgotten that one.
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